The Universal Journalist (Fourth Edition) by David Randall

By David Randall

It is a new version of the world's prime textbook on journalism. Translated into greater than a dozen languages, David Randall's instruction manual is a useful advisor to the "universals" of fine journalistic perform for pro and trainee reporters around the world. regardless of language or tradition, stable reporters percentage a standard dedication to the hunt for fact, frequently in tricky situations. David Randall emphasizes that reliable journalism is not only approximately common pursuits: it should also contain the purchase of more than a few abilities that may empower newshounds to function in an the place possession, know-how and knowledge are continually altering. This acclaimed guide demanding situations outdated attitudes, systems and methods of journalism the place they're noticeable as cynical and sloppy. This absolutely up-to-date version comprises ratings of latest anecdotes and examples, drawing at the author's personal adventure as a countrywide newspaper reporter and columnist.

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Example text

There are two common traps for the journalist here. First is the assumption that because a politician says something, we ought to record it. Not true. â•… 33 ‘They are only politicians’. Just because some middle-aged man in a grey suit has chosen to make a speech or a statement does not make it news. Most speeches and statements are expressions of the entirely expected. It is only when they say something surprising that it becomes news. A leading reformist, liberal politician condemning the slow pace of change in a society is nothing new.

Other assumptions about readers come into play. In recent years, there has been a resurgence of the ‘vox pop’ (in which members of the public chip in comments – not all of which are high in originality – on a story) and case histories, in which someone tells of their experiences in a sidebar to the main story. More often than is healthy, an editor’s main obsession with these is not the quality of the personal drama being told, but the age, gender and appearance of the subject. An attractive thirtysomething woman, even if her remarks are utterly banal, is nearly always preferred to the moving testimony of an older, less photogenic one.

Subject This is the broad category that the story falls under – crime, environment, health, diplomacy, economy, consumer, military, politics and so forth. All subjects are in theory equal, but some are more equal than others. Crime, for instance, has a higher value than fashion because it is patently of broader interest. Each of these categories then breaks down into subdivisions, for example, crime breaks down into murder, fraud, abduction, racketeering, drugs, robbery, blackmail, rape, assault, etc.

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