The Crisis of Theory: E. P. Thompson, the New Left and by Scott Hamilton

By Scott Hamilton

The challenge of idea tells the tale of the political and highbrow adventures of E. P. Thompson, one in all Britain's leading twentieth-century thinkers. Drawing on outstanding new unpublished files, Scott Hamilton indicates that each one of Thompson's paintings, from his acclaimed histories to his voluminous political writings to his little-noticed poetry, was once encouraged by means of an analogous passionate and idiosyncratic imaginative and prescient of the area. Hamilton exhibits the relationship among Thompson's famously ferocious assault at the 'Stalinism in conception' of Louis Althusser and his attacks on positivist social technological know-how in books just like the making of the English operating classification, and he produces formerly unseen proof to teach that Thompson's hostility to either left and right-wing types of authoritarianism was once rooted in first-hand event of violent political repression.
 
This e-book will entice students and normal readers with an curiosity in left-wing politics and concept, British society, twentieth-century background, modernist poetry, and the philosophy of history.

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Additional resources for The Crisis of Theory: E. P. Thompson, the New Left and Postwar British Politics

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653. 29 Lago, India’s Prisoner, p. 293. , p. 309. 31 Ibid. , p. 308. Ibid. Thompson, Writing by Candlelight, p. 142. EP Thompson, Beyond the Frontier: The Politics of a Failed Mission, Merlin Press, London, 1997, p. 47. 36 Interviews with historians, ‘Penelope Corfield and EP Thompson’, Institute of Historical Research videowork, 1992. 37 Freeman Dyson, Disturbing the Universe, Harper and Row, New York, 1979, pp. 34–35. ╛╛48–49. ╛╛18. 40 Ibid. 41 Margot Heinemann discusses the hostile attitude of the Third Period Communist Party to intellectuals in ‘The People’s Front and the Intellectuals’, in Britain, Fascism, and the Popular Front, ed.

At Oxford Frank came to realise that Britain’s political establishment and its traditional left-wing parties were unwilling to face down the fascist threat. The Munich crisis of September 1938 stirred debate in Britain about the threat, and briefly pushed the Labour and Liberal parties leftward, but the defeat of AD Lindsay in Oxford’s by-election showed that much of the population still supported Chamberlain’s policy of appeasement. We have seen that Frank’s disillusionment with the miserable Britain of the inter-war years did not stop him from being a patriot.

In the Popular Front era, the Communist Party repudiated its old philistinism, rhetorically at least. Writers, artists and academics were courted assiduously. The Left Review, the Left Book Club and the People’s Theatre were all symbols of the cultural Popular Front that the party fostered, even as it failed to create a political Popular Front. For EP Thompson, literary and scholarly work was just as important, if not more important, than political agitation. All were part of a single project, and they might intersect in the most interesting and useful ways.

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