By Pilar Ordóñez
"Intentando cambiar las estadísticas y entendiendo que l. a. información es poder me pareció very important que las mujeres conociéramos nuestro cuerpo y nuestra sexualidad, si es que pretendíamos controlar nuestras relaciones. Así que hice unas cuantas entrevistas a mujeres de distintos perfiles. Me documenté y llegué a los angeles conclusión de que había que explicar las relaciones sexuales de una manera más didáctica y con mucho humor insistiendo en toda los angeles curva de los angeles sexualidad femenina desde l. a. adolescencia, pasando por l. a. menopausia y más allá. Me inventé un caricature cómico que disfracé con un tupper intercourse (reunión de mujeres para hablar de sexo con venta de juguetes eróticos) y me dediqué a transformar el salón de cualquier casa en una sala alternativa de teatro donde representaba el convey con una maleta cargada con cremas de olores, sabores afrodisíacos, vibradores, lencería, ungüentos de masaje... ¿el resultado? leave out tupper SEX". Pilar Ordóñez l. a. actriz Pilar Ordóñez pone a disposición del gran público sus experiencias vividas durante sus tupper y ofrece en pass over tupper intercourse testimonios de mujeres que ponen de manifiesto lo que gusta o no al género femenino. Una obra divertida y ágil, una nueva forma de hablar de sexo sin pudor, imprescindible para aquellas que no se acercan a un intercourse store, que no se atreven a comprar o que ni siquiera lo comparten con su pareja, relegando su sexualidad al ámbito privado.
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P. , New York, and in 2003 by Howard Fertig, New York.
It should be noted here that the German original does not allow us to decide with certainty whether Le Rider claims that Weininger condemned women, or his ideal type of Woman. My English version opts for the much more defensible second possibility. 67. ”—It is interesting to see the polar opposition between this perspective and that of Spengler/ Wittgenstein. 68. Stieg (1984), p. ” Le Rider (1985), in his chapter on Weininger’s in®uence, calls Thomas Bernhard one of the endpoints of twentieth-century xliv l A Book That Won’t Go Away literature which relentlessly deepened the theme of “irreversible loneliness” [das Thema der unauf hebbaren Einsamkeit] (p.
Johnston, Janik argues, takes a form of liberalism as a paradigm for what is healthy and opposes it to what he, less than clearly, terms “therapeutic nihilism,” an attitude associated in the ¤rst place with the Vienna medical school, and in particular Carl von Rokitansky. In Johnston’s metaphorically extended use the term comes to signify a defeatist view of social and other ills, which does not even share the medical profession’s trust in nature’s healing powers as the only hope available but is content with lamenting suffering and society’s unethical behavior in the face of it.