By James A. Anderson
This quantity of Communication Yearbook develops and improves the annual's notable culture of supplying the easiest of present examine in conversation technological know-how. It differs from its predecessors in that every bankruptcy involves an important paintings and criticisms of it, facing such issues because the conception of mediation, potent coverage for well-being care conversation and feminist feedback of tv. different parts coated contain organizational environment and the concept that of the empowering association, the viewpoint opened via dialog research and agenda-setting study. In each one case a perceptive and incisive critique of each bankruptcy is equipped through a number of significant conversation scholars.
Essential for its topic
Read or Download Communication Yearbook 11 PDF
Similar communication & media studies books
British Film (National Film Traditions)
Demonstrating the richness and diversity of a countrywide cinema that has generally struggled to outline itself among the paradigms of Hollywood well known movie and eu paintings cinema, this learn offers accomplished insurance of British cinema more often than not in addition to severe discussions of particular films--useful for screenings.
Media Culture: Cultural Studies, Identity and Politics Between the Modern and the Postmodern
First released in 1995. Routledge is an imprint of Taylor & Francis, an informa corporation.
Surveys theoretical views at the mass media during the last thirty years. From statements through Marshall McLuhan and Jean Baudrillard to contemporary paintings by way of Ien Ang and Ann grey, sections talk about the creation and rules of the mass media; the media textual content; and the reception and intake of the media.
Print Culture in Early Modern France: Abraham Bosse and the Purposes of Print
During this booklet, Carl Goldstein examines the print tradition of seventeenth-century France via a research of the profession of Abraham Bosse, a widely known printmaker, publication illustrator, and writer of books and pamphlets on various technical matters. The consummate print specialist, Bosse over and over explored the never-ending probabilities of print - single-sheet prints combining textual content and picture, e-book representation, broadsides, placards, almanacs, theses, and pamphlets.
- Revisiting Moral Panics
- Die Macht der Worte und der Medien
- Global Communication: Theories, Stakeholders, and Trends
- The Demon of Writing: Powers and Failures of Paperwork
- Testimony: Crises of Witnessing in Literature, Psychoanalysis and History
- Die Sicherheitsgesellschaft: Soziale Kontrolle im 21. Jahrhundert
Additional info for Communication Yearbook 11
Sample text
These youngsters were able to account for a range of male and female TV portrayals in this way. Young viewers, even when not especially primed, tend to perceive sex-type attributes in TV characters (Mayes & Valentine, 1979). When not given explicit instructions to attend to particular characters or behaviors, children may still tend to focus more attention on same-sex characters than on opposite-sex characters (Sprafkin & Liebert, 1978). More recent research has indicated that male characters on the screen may often attract greater attention from young viewers of both sexes than do female characters.
1974). Sex-role attitudes and fear of success in relation to achievement 'behavior in women. Dissertation Abstracts International, 3(5-13),2451-2452. Tyler, T. R. (1980). The impact of directly and indirectly experienced events: The origin of crime-related judgements and behaviors. Journal of Personality and Social Psychology, 39, 13-28. Tyler, T. R. (1984). Assessing the risk of crime victimization: The integration of personal victimization and socially transmitted information. Journal of Social Issues, 40, 27-38.
This finding suggests that crime drama may not simply convey images of social dangers but also of social justice, where wrongdoers are eventually caught and punished. It also leaves open the possibility, however, that those who believe in ajust world seek to support these beliefs by more frequent exposure to crime drama on television. Recent research has indicated that, regardless of the direction of causality inferred from correlational links between television viewing and perceptions of crime, demonstration of the nature and significance of television's contribution to these anxieties and beliefs requires a more sophisticated The Perceptive Audience 39 model of influence than that put forward.