By Renny Christopher
This publication seeks to reformulate the canon of writings on what's known as "the Viet Nam battle" in the US and "the American struggle" in Viet Nam. till lately, the permitted canon has consisted virtually solely of yank white male strive against narratives, which regularly replicate and perpetuate Asian stereotypes. Renny Christopher introduces fabric that screens a bicultural viewpoint, together with works by means of Vietnamese exile writers and by means of lesser-known Euro-Americans who try to bridge the cultural gap.
Christopher lines the heritage of yankee stereotyping of Asians and indicates how Euro-American ethnocentricity has restricted so much American authors' skill to symbolize relatively the Vietnamese of their tales. by means of giving us entry to Vietnamese representations of the conflict, she creates a context for knowing the way in which the warfare was once skilled from the "other" part, and she or he bargains perceptive, well-documented analyses of the way and why americans have so emphatically excised the Vietnamese from narratives a few battle fought of their personal state.
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Extra info for The Viet Nam War the American war: images and representations in Euro-American and Vietnamese exile narratives
Example text
I read an essay by a student who had walked, with his family, across Cambodia to Thailand. I read an essay by a young woman who had been on a boat boarded by Thai pirates; her grandfather had dressed her as a boy, so she was the only woman on the boat who was not raped and murdered. I realized that there was more involved in the war than I, as an American, had ever been led to believe. But I still did not know much. I read James Freeman's oral history of Vietnamese refugees, Hearts of Sorrow. But I still did not know much.
In fact, for many years America seemed to regard a soldier's having been to Viet Nam as a kind of contamination: witness the genre of books, films, television shows, and feature articles portraying, almost as a stock character, the crazy veteran, who had brought the war home with him. In a 1975 article, psychologist Robert Jay Lifton wrote about "the postwar war," a war of consciousness, "the struggle over the residual meaning of the Vietnam War as perceived by antagonistic groups in American society" ("Postwar" 181).
Veteran of the war. He had been a lieutenant; his father, a retired colonel, had meant for him to be a career officer, but he had been so disillusioned by the war that he left the army after his tour in Viet Nam. He told me war stories. He told me about patrolling with his mechanized cavalry platoon around the Michelin rubber plantation: the United States Army received word each week from the plantation managers about where they would be harvesting, and the army avoided those areas in their patrols.