Out of Line: The Art of Jules Feiffer by Martha Fay

By Martha Fay

Everyone understands a Feiffer representation once they see one: His characters jump around the web page, each one line belying humor and mental perception. Over Feiffer's prolific 70-year occupation, his nimble and singular mind's eye has given us new views in addition to biting satires on politics, love, marriage, and religion�alternating with tales imbued with the playful anarchy of a kid. Feiffer's different output comprises kid's books (The Phantom Tollbooth and Bark, George), performs (Little Murders), video clips (Carnal Knowledge and Popeye), and comedian strips (most significantly in his Pulitzer Prize�winning Village Voice sketch of forty two years). Out of Line: The artwork of Jules Feiffer is the long-awaited illustrated retrospective of Feiffer's celebrated occupation, delivering a revealing glimpse into his artistic procedure and his function as America's most efficient Renaissance guy of the humanities.

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Marvel Comics no. 1, October 1939. The Hawkman was an early DC Comics character, created by writer Gardner Fox and artist Dennis Neville, later illustrated by Sheldon Moldoff. It debuted in January 1940. Feiffer recast him as Vulture, the Flying Knight. “This is terrific,” Feiffer says. ” Detail from Hawkman origin story splash page (above), Flash Comics no. 1, January 1940. Green Lantern hit the stands in 1940. It was a collaboration between artist Martin Nodell and writer Bill Finger, published by All-American Publications—one of several companies that would later coalesce into DC Comics.

I couldn’t draw a convincing chair or table or desk. I was hopeless at vehicles of any kind. ” Although he had taken a painting class at James Monroe, painting never really interested him. Neither did printing, graphics, or lithography, all of which he studied in school. “It was always words and pictures. ” A year or two before Feiffer turned up at Eisner’s studio, while he was still in high school, he had taken a drawing class at the Art Students League in Manhattan, at his mother’s suggestion.

Even the names I swiped,” he says of these early efforts. ” Detail from the Flash origin story splash page (left), Flash Comics no. 1, January 1940. 1. (1-5) When Feiffer created Ultraman, his answer to Superman, he made sure his fans would get the message, via a cover that echoed artist Joe Shuster’s and writer Jerry Siegel’s Action Comics no. 1, published by DC Comics in June 1938, when Jules was nine. Feiffer’s invented author and artist, “Jack Frost” and “Jim Farrell,” echoed the symmetry of Siegel and Shuster’s “JS & JS”—but keyed to the not-yet-famous JF, who gave them life.

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