By Benjamin Franklin V
Энциклопедия джазовых и блюзовых музыкантов Южной Каролины от XIX века до современности, включая не только таких звёзд, как James Brown и Dizzy Gillespie, но и забытых музыкантов. In An Encyclopedia of South Carolina Jazz and Blues Musicians, Benjamin Franklin V files the careers of South Carolina jazz and blues musicians from the 19th century to the current. The musicians diversity from the well known (James Brown, Dizzy Gillespie), to the remarkable (Freddie eco-friendly, Josh White), to the mostly forgotten (Fud Livingston, Josie Miles),to the imprecise (Lottie Frost Hightower, Horace Spoons Williams), to the unknown (Vince Arnold, Johnny Wilson). equipped alphabetically, from Johnny Acey to Webster younger, the books entries comprise easy biographical details, South Carolina flats, profession information, compositions, recordings as leaders and as band contributors, motion pictures, awards, websites, and lists of assets for added examining.
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Additional resources for An Encyclopedia of South Carolina Jazz and Blues Musicians
News, 8 December 1998, sec. B, p. 4 (obituary); “Peg Leg Bates, One-Legged Dancer, Dies at 91,” New York Times, 8 December 1998, sec. 10 (obituary); Frank Cullen, Vaudeville Old and New: An Encyclopedia of Variety Performers in America (New York: Routledge, 2007), 1: 80–81; Constance Valis Hill, Tap Dancing America: A Cultural History (New York: Oxford University Press, 2010), 164–68, 186–87. Baxter, Quentin E. C. residences: Charleston (1971–1989, 1992–), Columbia (1989–1992) Baxter began playing percussion instruments around age five and, through high school, followed his parents’ example by performing on drums at the Mount Zion Fire Baptized Holiness Church Quentin Baxter; photograph by Reese Moore, permission of Quentin Baxter Beckum, Jimmy in Charleston Heights.
He plays in Charleston with the group Gradual Lean and leads the group Emanon; also there in 2012 he helped establish the club the Mezz. Baxter, who has performed internationally, is also a recording engineer. ) Post and Courier, 16 February 2002, sec. F, pp. htm (2005; accessed 21 May 2014); T. : Arcadia Publishing, 2007), 111, 116, 127. C. residences: Privateer (1930–no later than ca. C. , where he received his schooling. In the mid-1940s he joined the Brooklyn Crusaders, a gospel quintet that briefly performed as the Varieteers before dissolving.
15 July 1910, p. 1. com /articles/view/title: mac_arnold ( July 2006; accessed 21 May 2014) (interview). SECONDARY : Tim Holek, “Mac Arnold: Cornbread and Collard Greens,” Living Blues 193 (December 2007): 18–25 (comments by Arnold); Brian S. : Blurb/Brian S. Kelley, 2009) (this book consists of Kelley’s photographs of Arnold and Adam N. ) Independent-Mail, 4 May 2015, sec. A, pp. com/news /0504-storytellermac_64595260 [accessed 10 May 2015]) (comments by Arnold). C. C. , where he intended to become a dancer.