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Additional resources for Trans_Mission: Vadim Kosmatschof - Organic Solar Sculptures
Example text
In the evenings, the structure shrinks back to its initial form. – “Time Spiral” works with similar effects. This object also originates from an entry in a competition and was originally designed for the main square in Wiesbaden. A large spiral form made of polished stainless steel lies in a pool of water. The progressively increasing radius of its coils results in an open cone shape, into which water vapor is blown. The sun’s radiation causes the colors of the spectrum to appear; if there is a light wind, the colorful clouds sway to and fro.
In „Konstrukta“ operiert Kosmatschof noch ganz nahe an den Vorbildern der frühen sowjetischen Avantgarde. Denkt man an die fragilen, geräthaften Objekte von Alexander Rodtschenko (etwa an die „Raumkonstruktionen“ von 1918–1920, die 2006 im Wiener MAK gezeigt wurden), an Arbeiten von Vladimir Tatlin, El Lissitzky oder Georgii und Vladimir Stenberg (die wie Kosmatschof ebenfalls an der StroganovSchule studiert hatten), so liegen die Analogien auf der Hand: Das künstlerische Programm besteht im Entwurf, in der Konstruktion einer abstrakten räumlichen Komposition, die inhaltlich eine optimistische, himmelstrebende, zukunftsverheißende Technikbegeisterung an die Stelle der alten figuralen und organischen Erzählung setzt und in Material und Gestik eine stählerne, puristische, raumgreifende Rhetorik Atmende Form, 2004 Breathing Forms, 2004 Impuls Blüte, 2003 Impulse Blossom, 2003 constructivist experiment lost some of its impact?
From the USA came the new minimalist movement, a key event of which was the “Primary Structures” exhibition at the Jewish Museum in New York in 1966, and land art radically broadened the canon of contemporary object art. What did this mean for a Russian object artist who came to the (Central European) West in 1979 and was confronted, first of all, with remainders of pop 35 der Menschen) und die selbstverständliche Zurschaustellung dieser Positionen im öffentlichen Raum – all das erinnert immer noch an die Aufbruchsstimmung der russischen Künstler unmittelbar nach der Revolution.