By Robert N. Ross
This e-book is an in depth tutorial consultant in response to the PBS portray television sequence, the enjoyment of portray X. It comprises a hundred ninety step-by-step easy methods to pictures in either colour & black & white.Contents:INTRODUCTION*Paints*Mixing colors*Palette*Brushes*Cleaning the brushes*Palette knife*Easel*Canvas*Basic the best way to photographsPAINTINGS*Towering peaks*Cabin at sunset*Twin falls*Secluded bridge*Ocean breeze*Autumn woods*Winter solitude*Golden sunset*Mountain oval*Ocean sunset*Triple view*Winter frost*Lakeside cabin
Read or Download The Joy of Painting with Bob Ross PDF
Similar individual artists books
George Littlechild: The Spirit Giggles Within
George Littlechild: The Spirit Giggles inside is a gorgeous retrospective of a occupation that has spanned approximately 4 many years. that includes greater than a hundred and fifty of the Plains Cree artists mixed-media works, this luxurious assortment showcases the daring swaths of color and refined textures of Littlechilds paintings. Littlechild hasn't ever shied clear of political or social topics.
100 Great Paintings - Duccio to Picasso
. lge fmt, 1981 illus, 2223pp
- Edgar Degas
- Master woodworker
- Holy Terror
- Richard Serra (October Files)
- Fred Taylor: Brother in the Shadows
- Lucas Cranach the Elder: Art and Devotion of the German Reformation
Extra resources for The Joy of Painting with Bob Ross
Example text
Use the filbert brush to make small, circular, "push-up" strokes just where the light would strike along the top edges of the foam. Use a clean, dry filbert brush and the lop corner of the 2" brush to gently blend together the base of the highlights into the shadows of the foam. Still watching your angles form the foam patterns that help shape the wave with Titanium White and Phthalo Blue on the filbert brush. FOREGROUND Reflect the sky colors onto the wet sand using the 2" brush. Pull down with Cadmium Yellow directly under the brightest area, then add Yellow Ochre on either side, then Bright Red.
Leave some open areas in the sky where the clouds will be added. Without cleaning the brush, pick up a little more Phthalo Blue. Use horizontal strokes to add the water, holding the brush flat and pulling from the outside edges of the canvas in towards the center. Allow an area to the right of the center of the canvas to remain quite light, creating the illusion of shimmering light across the water. Clean and dry the 2" brush and again use criss-cross strokes to blend the sky and long horizontal strokes to blend the water area For the clouds, load the 1" brush by pulling it in one direction through the Titanium White with just a touch of LAKESIDE CABIN Bright Red.
Van Dyke Brown, Prussian Blue and Alizarin Crimson. Load TRIPLE VIEW the long edge of the knife with a small roll of paint by pulling the mixture out flat on your palette and Just "cutting" across. Use firm pressure to push the paint into the canvas, shaping just the top edge of the mountain. ) Before cleaning your brush, use the accumulated paint on the bristles to add the soft mountain in the distance. Highlight the mountain with Titanium White. Again, pull the paint out very flat on your palette and just "cut" across to load the long edge of the knife with a small roll of paint.