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The image is simply recorded on a different medium. The real differences between film and digital photography come after the image is recorded in the camera, when you have to decide whether to leave the image as it is or change or improve it and how to store it for possible future use. Most Hasselblad digital backs can also be used on various Hasselblad cameras, so you can select the camera model that is best for a specific job; use a 200 model camera because of its excellent built-in metering system, or take advantage of the shift and tilt controls in the ArcBody or FlexBody for an architectural job.
Various software programs, such as Channel Mixer, allow you to change the gray tones of every color in the original to any desired degree. In such a program, you work with red, green, and blue channels adjusting each to lighten or darken the gray tones of any color to any degree. You can darken red and lighten blue or whatever separates the various elements within the picture. What you actually do in the computer is exactly what film photographers do by placing filters over the camera lens, for example, using a yellow or red filter to darken blue skies.
Digital Imaging with Hasselblad 31 The four digital Hasselblad cameras mentioned above are completely integrated digital cameras, not medium-format cameras with a digital back attached. As a result these cameras cannot be used with any other digital backs made by Hasselblad or any other company. These cameras also cannot be used for film photography. While the sensor unit (digital back) is removable mainly for the purpose of cleaning the charge couple device (CCD), it is not designed for use on any other Hasselblad camera or other types of medium format camera but can be attached to a view camera with the H mount adapter.