By Anne M. François
Rewriting The go back to Africa: Voices of Francophone Caribbean ladies Writers examines the methods Guadeloupean ladies writers Maryse Cond?, Simone Schwarz-Bart and Myriam Warner-Vieyra demystify the subject matter of the go back to Africa in place of the its masculinist model via N?gritude male writers from the Thirties to Nineteen Sixties. N?gritude, a cultural and literary stream, drew a lot of its energy from the belief of a legendary or cultural reconnection with the African previous allegorized as a mom determine. by contrast those girls writers, of the post-colonial period who're to giant quantity heirs of N?gritude, fluctuate sharply from their male opposite numbers of their illustration of Africa. of their novels, the continent isn't really represented as a propitious mom determine yet a disappointing father determine. This research argues that those girls writers' subversion of the metaphorical determine of Africa and its transformation is tied to their gender. the ladies novelists are certainly severe of a feminine allegorization of the land that's corresponding to a colonial or nationalist venture and a simplistic illustration of motherhood that doesn't replicate the complexities of the Diaspora's relation to origins and id. in contrast to the first male writers of the N?gritude circulation, they rigorously "gendered" the idea of go back via deciding upon girl protagonists who made their as far back as the Motherland looking for identification. I argue that writing is a more advantageous house for the feminine topic looking id since it permits her to have a voice and turn into topic instead of item as that was once the case with the N?gritude writers. the ladies writers' shattering of a dead ringer for mom Africa and in this case that of pop Africa highlights the complicated dating among Africa and the Diaspora from a feminine standpoint. It shifts the id quest of the characters in the direction of the Caribbean, which emerges because the actual difficult mom: a multi-faceted, fragmented determine that displays the constitutive conflict that happened within the archipela
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Additional resources for Rewriting the Return to Africa: Voices of Francophone Caribbean Women Writers
Sample text
With IbrahimAfrica, Véronica loses any sense of self-esteem and consents to subordinate herself to male desire. Her attitude reinforces the idea that the woman’s place in such a system is to please the father first, then the (male) lover. Ashamed of her gender because her father would have preferred her to be a boy, she flees from him in an attempt to get the attention and legitimation that would make her feel whole. She is the ironic spectator of her own degradation. She takes pleasure in the disturbing image she presents to those around her as she defends it.
She continues to remain passive even when the government—in which Ibrahim Sory is now the Minister of Defense—arrests and kills her favorite student, Biram III (135). She finds herself torn between her obsession with Ibrahim Sory and her loyalty to her student. She wants so much to hold onto her initial idea of Ibrahim Sory as the noble African with ancestors that she cannot possibly associate him with the corrupt image of an assassin. Besides, she does not seem concerned about Ibrahim’s bad reputation.
Several women writers from the Diaspora have the tendency to dissociate themselves from the feminist movement though their texts have a Return to Africa and the Caribbean 15 clear feminist perspective. There have been ongoing debates in academic circles on some Black women and other women of color who position and distance themselves from the feminist movement. 14 Molara Ogundipe-Leslie, in her essay Recreating Ourselves: African Women and Critical Transformations (1974), remarks: “Many African female writers like to declare that they’re not feminists, as if it were a crime” (11).