By Kenn Chipkin
The main whole and real advisor to the best vintage rock guitar licks ever performed! during this e-book, the licks, kinds, and strategies of the vintage rock iteration of guitarists are thoroughly published and defined. The integrated CD comprises each song instance, played with the actual tones, recommendations, and gear because the unique artists. the entire song is gifted in commonplace notation and tab. contains the licks, kinds, and strategies of: Duane Allman, Jeff Beck, Eric Clapton, Billy Gibbons, Peter eco-friendly, Jimi Hendrix, Jimmy web page, Keith Richards, Johnny iciness and extra.
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The main whole and genuine advisor to the best vintage rock guitar licks ever performed! during this publication, the licks, types, and strategies of the vintage rock new release of guitarists are thoroughly published and defined. The integrated CD comprises each track instance, played with the actual tones, thoughts, and gear because the unique artists.
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Additional resources for Real Rock Guitar
M. ;r • ... I 1-. to� • :;; .. .. 39 Example 33 Another ZZ Top model, this one specifically in Gm (note the key signature), illustrating two guitar parts working together, creates a call and response effect. These two parts can be played by one guitar with limited difficulty. The first phrase has Guitar 1 playing a minor 7th voicing not as commonly found in blues and rock as it is in jazz and other styles. It spells (from low to high) G, B�. F, and it is approached from a half-step below with a slide.
The target chord tones of the E7 are Gf (3) and D (b7), and they are slid to from a half-step below. This double-stop is the interval of a tritone and will be dealt with in further detail shortly in the section on the mixolydian scale. C. , .. l't. .. .. 15 • "'" I ' v .. v .. v .. l't. ts ,..... � .. ... .. os q-. • " :. ;;; v" . �. =4 l) .. cs -+ • =4 .... . C. ��� " I .. - ...... .. . -� I ) .. -- • ;; .. -- =4 •q•· .. .. C5 - =4 =4 � =4 =4 " " v " ft ft v ft ... v ... A I . p . " -(*- 1 / p -- ..
_r A a ... ;;;; . ft " .. M. M. ; v 'i • R .. .. u - �... "' ... M. :. :. .. v " - ;:; i'i � ...... ;.. " q ... ... _ r ;;; ::4j ,.. ,.. ;;. , ,.. .. M. M. .. 4 • � .. / � ! M. - - - -I .... ,.. M. M. _... ,.. ,.. /1 � • i A. M. It J v ,.. v v ,.. .. 1 4 , .. 1t. " . c - .. J: �sJrT. , ,.. �- _ v _ .. hold- - 1 =4 =4 . M. - - - I .. "11 E7 �ill� • = =4 � =--= .. • ,.. ,.. - - - I _A n ,.. .. D E .. , .. I • ,.. .. E/A ...... , .. ,.. ; ;.. ft .. A .. I " . = --= .. 4 61 Example 54 Here is a short one in the style of Cream.