Raw workflow from capture to archives by Philip Andrews

By Philip Andrews

Uncooked Workflow from trap to data' offers particular, functional reasons and how-to directions for the electronic photographer gaining knowledge of this method. the main accomplished ebook dedicated to simplifying uncooked workflow, this consultant will demystify uncooked capabilities within the digicam, uncooked converter, photo processing and enhancement software program, and electronic asset administration courses. no longer limiting itself to a unmarried workflow this useful source discusses the newest functions that take care of uncooked documents, together with detailed plug-ins, stand by myself courses and customized purposes. taking pictures uncooked offers entire inventive keep watch over over your photographs and is the most popular subject in electronic images this day. how you can make the most of some great benefits of uncooked to extend your inventive regulate and streamline your uncooked workflow during this informative guide.*The how-to guidebook on uncooked dossier catch, processing and creativity!* effortless instance workflow suggestions for Adobe Photoshop CS2, Adobe Photoshop parts 4.0, Aperture and Lightroom and different software program suggestions for uncooked imaging* Demystifies uncooked services within the digicam, desktop, in the course of obtain, and conversion, and at last in the course of photograph processing

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All cameras have a built-in metering system designed to measure the amount of light entering the camera. The camera uses this measurement as a basis for setting the correct shutter and aperture. Simple cameras use an ‘auto exposure’ system which performs this function without the photographer even being aware that it is happening. More sophisticated models also include manual override options. These features allow the photographer to take more control of the exposure process, select the shutter speed and aperture that suits and even disregard the camera’s recommendations altogether.

For this reason the enhancement process of any digital file is not complete until some sharpening has been applied. To this end most photographers see sharpening as a ‘one-off’ activity designed to increase the look of crispness of their photographs and they elect to apply sharpening at time of capture via the options available in their camera setup figuring that it’ll be one less task to perform later at the desktop. The problem with this action is that it uses a ‘one solution fits all’ approach that fails to take into account the content of the photo and the intended use for the image.

The aperture is basically a whole in the center of the lens. The smaller the hole the less light is able to enter the camera. Conversely if the hole is larger more light can enter. Various size holes are referred to as f-numbers or f-stops. Confusingly, the smaller the fstop number the bigger the hole. It may be helpful to think of the aperture as being similar to your eyes’ iris. In bright light the iris is small, restricting the light entering the eye. In dark situations the iris grows larger to encourage more light into the eye.

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