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A few verticals objects of everyday life are assembled in a classic arrangement in and horizontals are masterfully balanced. bread and the knife in the ceramic dish Two diagonals — the been traditionally used for tones of the setting are relieved by loaf of — create an illusion of space, extending they do toward the spectator; the knife, especially, discreetly provides sion, a device that has which this as this illu- very purpose. The neutral the colorful accents of the dish and the three yellow apples that are almost in the center of the composition.

Toward the end of to explain You have above the snow. The sky a sky snow. In the morning there is done in the evening, red and yellow would have on shines as only with a always it blue. where the shadow the side veil thrown over veil. colors. . . . it. No That blue must show painted in the morning. is to appear in the a tree, for example, has the same local color remains a knows only is exist in green and yellow in the sky. These colors must show up in the snow when your picture shadows ...

Would have prompted you while Renoir and a to common pact. You are wish to fight against should enter into a sincere ? a Monet only see in the having anything prepared. The second exhibition did annual association ... a means to use the others as not have any more success than the rungs of a stepladder. Their first one. Pissarro was once more greatly disconcerted and voiced feelings in a letter to "If Cezanne. dared," Cezanne replied during the I that year, "I should say that your by afraid that this but am you summer letter bears the of sadness.