By Clare Birchall
A brand new iteration is popping to idea to imagine via probably the most the most important matters in modern tradition. New Cultural stories presents for the 1st time an authoritative and available consultant to the guidelines of this new release, explaining simply why concept remains to be imperative to the earlier, current, and way forward for cultural reviews. It follows renowned thinkers and theorists, corresponding to Agamben, Badiou, Deleuze, Derrida, Kittler, Laclau, Levinas, and Zizek, as they map out theories of anti-capitalism, ethics, the post-humanities, post-Marxism, and new media applied sciences.
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Extra info for New Cultural Studies
Sample text
For an interesting recent exception that introduces and explains the importance to cultural studies of a number of cultural theorists, including Judith Butler, Fredric Jameson and Homi K. Bhabha, see McRobbie (2005). See Castells (1996) for what is merely one of the best-known instances. A more recent example is provided by Rossiter’s research on ‘organised networks’. See Lovink and Rossiter (2005). For two recent examples drawn from the field of literary studies, see Attridge (2004) and Clark (2005).
In this sense, this opening chapter, and with it this book, could indeed be seen as cultural studies ‘stuttering, trembling, trying out new resonances, new rhythms’, to quote J. Macgregor Wise once again. ❖ On not copping out . . It’s perhaps just worth stressing that by turning to these self-reflexive questions and to theory, we are not seeking shelter from the ‘global uncertainty’ about politics (as the mandate of the 2004 ‘Crossroads in Cultural Studies’ conference put it). Nor are we advocating political silence or moral indifference.
To ‘do’ deconstruction I need rather to respond to Derrida’s inventive and at times difficult interventions 36 in the texts of Plato, Freud, Joyce and so on – inventive in the sense that Derrida’s writings ‘performatively’ transform and so ‘create’ the ‘context’ in which they can be read and perhaps eventually understood (2001: 14, 30) – by producing inventive and, yes, at times difficult interventions of my own, signed with my own name, in the texts of Derrida and others.