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Drumming sounds provide, like a cowbell, the bass Towards the bottom, Turkish trousers – which are sound to the rhythmic screams. ‘Da-ra-re-ra-re-da’ – the straight and heavy, cut from expensive cloth and which female dancer holds her hands up high so we can purposely hamper leg movement since they do not fall observe her body. But too late. We have missed the sideways across the hips – hide the continuation of beginning. Her eyes are already glazed. ‘Da-ra-re-ra-re- those lascivious convolutions and twists that the female da’ – like gushing, rising, surging water that is close to dancer is performing with remarkable assuredness and boiling, the abdomen is contorted as though child carefree sexual self-confidence.

Frozen – her expression is gawky – some kind of By transforming hardship into virtue, and with the help desperation has gripped this woman – a foreign power of true artistic talent, they reconciled the dangerous has come over her… female form and have helped nature and gender achieve mutual triumph. ’ “‘Da-ra-re-ra-re-da’ – ‘Da-ra-re-ra-re-da’ – ‘Da-ra-rera-re-da’ – other girls sitting in the background and the “No! She is using her raised and folded hands as a near the side walls are vocally accompanying the female balancing pole – her lower body is almost motionless Pablo Picasso, Jean-Auguste-Dominique Ingres, The Oriental Dancer, 1968.

If there is moss! Love, sing and drink, and don’t worry too much about the faded hell. That is the best you can do. Trust me, there is no other paradise than the one I recommend to you... If there is a paradise. 44 Interlude 4 – Voluptuous Translated from Afghan N ow she danced the most voluptuous dance of the four enchantments. With her head thrown back and her arms stretched backwards she danced, in her radiant nudity, the last ecstasies of love. The musicians behind her finished the wedding song for girls of her country.