By R. Dutton
Licensing, Censorship and Authorship in Early sleek England examines intimately either how the perform of censorship formed writing within the Shakespearean interval, and the way our experience of that censorship keeps to form smooth understandings of what was once written. Separate chapters hint the advance of licensing within the theatre, and the reaction of the actors and dramatists to it. There are particular examinations of ways censorship impacts our examining of 4 significant playwrights: Marlowe, Shakespeare, Jonson, and Middleton, and the way the keep watch over of revealed books in comparison with the law of the level.
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Extra info for Licensing, Censorship and Authorship in Early Modern England: Buggeswords
Sample text
Even more critically, another adult troupe, the Earl of Derby's Men, had already performed at court in the winter of 1599±1600, and had taken up residence in the Boar's Head playhouse, in every respect flouting the Privy Council's orders. Or, more precisely, flouting them in every respect bar one ± they were paying the Master of the Revels 15s. per playing week at the Boar's Head, and so apparently submitting to his authority, even though that was not supposed to extend beyond the two `allowed' companies (Berry, 1986, p.
There is room for debate as to what these allusions finally tell us, but their existence is hardly to be doubted. L. Smallwood and Stanley Wells in their Revels Plays edition: In the spring of 1599, a few weeks before Dekker finished The Shoemaker's Holiday, Sir John Spencer, who had been Lord Mayor of London in 1594, had been temporarily committed to the Fleet for mistreating his only daughter Elizabeth, whose contract of marriage to the Second Lord Compton, a young courtier close to the Queen, he bitterly opposed.
However good their relations with their patron had been (and perhaps continued to be) those of Oxford's Men who joined the new company must have known that Worcester's patronage potentially carried with it something his never could. Being Master of the Horse he was equal in status in the royal household to the Lord Admiral and Lord Chamberlain. To this extent, the admission of a third adult company to the ranks of those patronised and authorised by the royal household and Privy Council was not a change of policy, merely a widening of the circle.