By Zong-qi Cai, Jie Cui
Designed to paintings with the acclaimed direction textual content easy methods to learn chinese language Poetry: A Guided Anthology, the How to learn chinese language Poetry Workbook introduces classical chinese language to complicated rookies and novices at greater degrees, instructing them find out how to savor chinese language poetry in its unique shape. additionally a notable stand-alone source, the quantity illuminates China’s significant poetic genres and topics via 100 recognized, easy-to-recite works.
Each of the volume’s twenty devices includes 4 to 6 classical poems in chinese language, English, and tone-marked pinyin romanization, with accomplished vocabulary notes and prose poem translations in sleek chinese language. next comprehension questions and reviews concentrate on the inventive features of the poems, whereas workouts try readers’ take hold of of either classical and sleek chinese language phrases, words, and syntax. an in depth thesaurus cross-references classical and glossy chinese language utilization, characters and compounds, and a number of personality meanings, and on-line sound recordings are supplied for every poem and its prose translation for free. a listing of literary concerns addressed all through completes the amount, in addition to phonetic transcriptions for entering-tone characters, which look in Tang and Song–regulated shi poems and lyric songs.
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Additional info for How to Read Chinese Poetry Workbook
Example text
6 / every goodbye ain’t gone Umbra My sun has gone down in drum suite penumbra The mood of this rhythm my body is umbra And the totem line behind the three-faced light tabu decline the ®esh-cup curve The postmen ask What information in address envelops this female impertinence posturing behind us this is not thigh ten-inch-pound distance weight focus this is the weight of death full to fascination bottom riddle end but dense one face-frontal curve or straight instantline say designers of fashion no rear view is beautiful to address but to the self one clean brief declension is to write to inform and to clothe to invite This is the interval of a question addressing the male The umbral body is in penumbral ¤eld a two-way cup curving female a handful of image an armsful storm a mouthy world waiting And the lips that kiss you in penumbra have arms A body molds the darkness is thigh-pressed cradle-abdomen met and breasts the umbral breasts have softness And the silence neuter feminine night is sighing verb-breaths to love And handsome she has ¤ngers to caress herself down circular the darkness is erect You are reading copyrighted material published by the University of Alabama Press.
Their shiftless tired faces. Black sweat, in the moon ¤xed. Amble, shamble, dissemble, gamble, love’s own. Lie to them. Hurt me, quickly. Love’s a lie, then. Walked aim less, his pants off, hard knotty dick, and hairy as a rose. You are reading copyrighted material published by the University of Alabama Press. S. Copyright law is illegal and injures the author and publisher. For permission to reuse this work, contact the University of Alabama Press. 36 / every goodbye ain’t gone Nobody knows him now.
Communication of the shore’s design. By the children of caution. His girls run along the sea side dreaming of his songs. Wave echo. Light on off, bird streak at night. Coasts shifting, lined endeavor, from green to liver sick mountains too bored to become a desert. Go, be, an interval. A sign. Their shiftless tired faces. Black sweat, in the moon ¤xed. Amble, shamble, dissemble, gamble, love’s own. Lie to them. Hurt me, quickly. Love’s a lie, then. Walked aim less, his pants off, hard knotty dick, and hairy as a rose.