Derrida's Voice and Phenomenon (Edinburgh Philosophical by Vernon W. Cisney

By Vernon W. Cisney

Released in 1967, Voice and Phenomenon marked an important turning aspect in Derrida's considering: the end result of a 15-year-long engagement with the phenomenological culture. It additionally brought the techniques and topics that will develop into deconstruction.

Voice and Phenomenon is a brief booklet, however it could be an overpowering textual content, rather for green readers of Derrida's paintings. this can be the 1st consultant to obviously clarify the constitution of his argument, step-by-step.

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Additional info for Derrida's Voice and Phenomenon (Edinburgh Philosophical Guides)

Sample text

While alive, I am not complete; when complete, I am not alive. So ultimately, in order to grasp the totality of my own existential structure, I must seize authentically upon the fact of my being-towardsdeath. What does this authentic resoluteness mean? After all, it seems at least a little bit counterintuitive to argue that we are not aware of the fact that we are going to someday die. What Heidegger means is that most of the time, we live as though death is always out there ahead of us; it is something that will happen to us someday, not today or tomorrow, but someday.

You may walk to the side and discover that the front of the house was in fact a very convincingly structured wooden model, and nothing more, propped up in the back by angled beams. You may walk to the back and discover that the majority of the house has been destroyed by a tornado, which miraculously left intact the face of the house. In any number of possible ways, the object you are looking at may not in fact be the façade of a house. Moreover, and in a less fantastical way, the back of the house, upon discovery, will most likely not be exactly what you thought.

This is the position of Franz Brentano, Husserl’s mentor. Historical Context 31 But immediately, further problems become apparent. It seems perfectly reasonable to speak of memory in this manner, as the imagined recollection of a past event, when we are speaking of an event that is somewhat distant in the past. Such an injunction demands that we impart psychological effort in order to bring back to consciousness a past event, one that is completely removed from the present situation. But then, this use of the word ‘memory’ does not seem to apply when we are talking about the reader’s act of reading this sentence right now, or of listening to a song, or of watching a scene of a film, as we said above.

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