Beginning Rock Keyboard: Hal Leonard Keyboard Style Series by Mark Harrison

By Mark Harrison

This accomplished book/CD pack will educate you the fundamental talents had to play starting rock keyboard. From comping to soloing, you are going to research the speculation, instruments, and methods utilized by the professionals. The accompanying CD demonstrates lots of the track examples within the e-book. The full-band tracks function the rhythm part at the left channel and the piano at the correct channel, that you should play in addition to the band. start at the present time!

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Extra info for Beginning Rock Keyboard: Hal Leonard Keyboard Style Series

Example text

Lol fu ... I- ] I "'ill ... "'ill D - ~ G I I ~· I I ~~ ... "'ill I ... ) - I I D I - A .. q-. ~ ... l .. .. Coda 39 fl ~ +t A D/A A r:: l J: I I D - ~ +t ~· l l I i:::: :::::tf . . I r'i I G C/G G 1 L:: A - E ... , I I - - AjEE ...... \. \. q111 111 . . . . . . .. ::; ::; .... ~-e- 4. On My Way Next up is a hard rock ballad in the style of "Home Sweet Home" by Motley Crue. This is a 16th-note groove in the key of F major, recorded with an acoustic piano sound. The first A section begins with piano only, with right-hand triads in an alternating-eighth ballad style.

7-3 ~ B~ F ,..... Ji . _l I c ,..... ... B~/F . · ~ 1\ ... ~· F ~ I ~ r--= I . --, ...... \ ~ c ..... , .... , • G7sus4 b~- . ~ f:::~ ..... _, >- - b~· IJ*----6- . : . i. : . i. = = = = ::: ... ... i ""ill ~~~~~~ ~ ~ Although this example uses mostly a driving eighth-note rhythmic feel, note the 16ths in measures 1-2 and 5-6 (specifically, on the last 16th note of beat 1, anticipating beat 2). Used sparingly, these 16ths add a funky element to this groove. The triad voicings in these measures have doubled octaves.

Then in measures 9-10 we have a different "chord rhythm," with the F and Eb major chords landing halfway through beat 2 (and anticipating beat 3) during these measures. The arpeggios during the preceding Bb and Ab chords in these measures effectively lead into the chordal anticipations. Another little theory note ... We've also introduced a new chord in measure 11: the G7sus4. Back in Chapter 3, you remember that we derived all of the four-part chords in the key of C major, including the G7 (G dominant 7th) chord.

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