Comprises: again In Black, For these approximately to Rock (We Salute You), women bought Rhythm, street to Hell, enable Me positioned My Love Into You, Love first and foremost believe, Moneytalks, evening Prowler, The Razors part, trip On, Shake Your Foundations, Shoot to please, Shot Down In Flames, Squealer, Thunderstruck, and also you Shook Me All evening lengthy.
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Extra resources for AC DC Anthology Guitar Tablature Edition
See the essay ‘1976/1981’, in the liner notes to the 2011 CD release of Michael 79 80 Nyman LP (MNRCD123), p. 5. Other composers and performers who taught at Art Colleges during this time included Gavin Bryars at Portsmouth College of Art and Leicester Polytechnic, John White at Leicester, Cardew at Maidstone College of Art, and Victor Schonfield at Walthamstow. 81 ‘Papa’s Stock’, New Statesman (8 January 1971); not included in this volume. 82 ‘Last Week’s Broadcast Music’, The Listener (24 May 1973); not included in this volume.
While the music of La Monte Young and Terry Riley was becoming known by the end of the 1960s in the UK through Cardew’s writings and performances of their music, apart from a broadcast of ‘Come Out’ on the BBC’s Third Programme in 1970, Steve Reich’s music was relatively unknown, and Philip Glass’s music almost completely so. This was also true, to an extent, in the United States, where the four composers lived and worked. Nyman thus played an active role in introducing their music to a wider audience.
The basic material is a series of thematic lines, which are coloured, like organ registration, to form closely or widely spaced clusters, at first stated singly but subsequently combined in evolving patterns, while the linear evolution is constantly punctuated by complex chords and percussion fusillades. It is as though a series of transparent perspex ‘textures’ are overlaid in ever-differing proportions, each combination progressively giving rise to another colour complex, shot through with brilliant shafts of light.