100 of the Best Movie Songs Ever! : piano, vocal, guitar

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Extra resources for 100 of the Best Movie Songs Ever! : piano, vocal, guitar

Sample text

Narrative is a simple chain of two functions:] entry into a closed space, and emergence from it. . Closed space can be interpreted as “a cave,” “the grave,” “a house,” “woman” (and, correspondingly, be allotted the features of darkness, warmth, dampness). . (1979: 167) Several points bear examination here, according to de Lauretis. The first is that mobile characters (heroes) must be men, since immobile characters, features of the topological space, are morphologically women. Consequently, men act, cross boundaries, and so forth, while women accept the hero’s entry into and emergence from the space they represent (1984: 118–19).

The term source music corresponds roughly to the term diegetic music; both terms refer to 44 Hearing Film music whose production is within the narrative world of the film. For example, the music in the bar sequence in Star Wars is source or diegetic music. While Luke and Ben are trying to contact a pilot, the source of the songs—a group of nonhuman musicians—is shown producing the music within the narrative itself. According to Hagen’s definitions, this is visual source music, precisely because we see them playing.

Narrative is a simple chain of two functions:] entry into a closed space, and emergence from it. . Closed space can be interpreted as “a cave,” “the grave,” “a house,” “woman” (and, correspondingly, be allotted the features of darkness, warmth, dampness). . (1979: 167) Several points bear examination here, according to de Lauretis. The first is that mobile characters (heroes) must be men, since immobile characters, features of the topological space, are morphologically women. Consequently, men act, cross boundaries, and so forth, while women accept the hero’s entry into and emergence from the space they represent (1984: 118–19).

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